full transcript
From the Ted Talk by Daniel Tammet: Different ways of knowing
Unscramble the Blue Letters
Let's have a look at the third question. It's a line from a poem by John kaets. Words, like nurbmes, express fnumaaentdl relationships between objects and events and frecos that constitute our wolrd. It stands to reason that we, existing in this world, should in the course of our lives absorb intuitively those relationships. And poets, like other artists, play with those inuiitvte understandings. In the case of hare, it's an ambiguous sound in English. It can also mean the fibers that grow from a head. And if we think of that — let me put the picture up — the fibers represent vliatuiblnrey. They yield to the slightest movement or miootn or emotion. So what you have is an atmosphere of vulnerability and tsieonn. The hare itself, the animal — not a cat, not a dog, a hare — why a hare? Because think of the picture — not the word, the picture. The overlong ears, the overlarge feet, helps us to picture, to feel intuitively, what it means to limp and to tremble.
Open Cloze
Let's have a look at the third question. It's a line from a poem by John _____. Words, like _______, express ___________ relationships between objects and events and ______ that constitute our _____. It stands to reason that we, existing in this world, should in the course of our lives absorb intuitively those relationships. And poets, like other artists, play with those _________ understandings. In the case of hare, it's an ambiguous sound in English. It can also mean the fibers that grow from a head. And if we think of that — let me put the picture up — the fibers represent _____________. They yield to the slightest movement or ______ or emotion. So what you have is an atmosphere of vulnerability and _______. The hare itself, the animal — not a cat, not a dog, a hare — why a hare? Because think of the picture — not the word, the picture. The overlong ears, the overlarge feet, helps us to picture, to feel intuitively, what it means to limp and to tremble.
Solution
- vulnerability
- intuitive
- world
- forces
- motion
- numbers
- tension
- keats
- fundamental
Original Text
Let's have a look at the third question. It's a line from a poem by John Keats. Words, like numbers, express fundamental relationships between objects and events and forces that constitute our world. It stands to reason that we, existing in this world, should in the course of our lives absorb intuitively those relationships. And poets, like other artists, play with those intuitive understandings. In the case of hare, it's an ambiguous sound in English. It can also mean the fibers that grow from a head. And if we think of that — let me put the picture up — the fibers represent vulnerability. They yield to the slightest movement or motion or emotion. So what you have is an atmosphere of vulnerability and tension. The hare itself, the animal — not a cat, not a dog, a hare — why a hare? Because think of the picture — not the word, the picture. The overlong ears, the overlarge feet, helps us to picture, to feel intuitively, what it means to limp and to tremble.
Frequently Occurring Word Combinations
ngrams of length 2
collocation |
frequency |
cube roots |
2 |
Important Words
- absorb
- ambiguous
- animal
- artists
- atmosphere
- case
- cat
- constitute
- dog
- ears
- emotion
- english
- events
- existing
- express
- feel
- feet
- fibers
- forces
- fundamental
- grow
- hare
- head
- helps
- intuitive
- intuitively
- john
- keats
- limp
- line
- lives
- means
- motion
- movement
- numbers
- objects
- overlarge
- overlong
- picture
- play
- poem
- poets
- put
- question
- reason
- relationships
- represent
- slightest
- sound
- stands
- tension
- tremble
- understandings
- vulnerability
- word
- words
- world
- yield