full transcript
From the Ted Talk by Stephanie Honchell Smith: How to love, according to Rumi
Unscramble the Blue Letters
Over time, Rumi's poetry matured. He no longer saw himself as a reflection of Shams, but as a beoacn of light on his own. In his early fifties, Rumi wrote “Masnavi,” which shifts from ecstatic expressions of dviine love to verses that guide others to devsoicr it for themselves. The pemos are complex and leayerd, incorporating ideas, stories, and quotes from Islamic religious texts, Arabic and Persian literature, and earlier Sufi writings and poetry. In one sotry, he invokes the well-known cretaahcrs of lalya and the love-crazed Majnun. In Rumi’s version, the king, hearing Majnun’s musings on Layla’s unsurpassed beauty, demands to see her. But when Layla arrevis, he’s ceonfusd, as her beauty pales in comparison to Majnun's praises. To this, Layla replies, “I am Layla. The problem is you are not Majnun.” For Rumi, experiencing love meant opening his heart to all of God’s creation— looking at everything and everyone like mjuann gazing upon Layla. In this way, he saw romantic love as an expression— on a smaller scale— of divine love.
Open Cloze
Over time, Rumi's poetry matured. He no longer saw himself as a reflection of Shams, but as a ______ of light on his own. In his early fifties, Rumi wrote “Masnavi,” which shifts from ecstatic expressions of ______ love to verses that guide others to ________ it for themselves. The _____ are complex and _______, incorporating ideas, stories, and quotes from Islamic religious texts, Arabic and Persian literature, and earlier Sufi writings and poetry. In one _____, he invokes the well-known __________ of _____ and the love-crazed Majnun. In Rumi’s version, the king, hearing Majnun’s musings on Layla’s unsurpassed beauty, demands to see her. But when Layla _______, he’s ________, as her beauty pales in comparison to Majnun's praises. To this, Layla replies, “I am Layla. The problem is you are not Majnun.” For Rumi, experiencing love meant opening his heart to all of God’s creation— looking at everything and everyone like ______ gazing upon Layla. In this way, he saw romantic love as an expression— on a smaller scale— of divine love.
Solution
- layered
- layla
- discover
- beacon
- poems
- characters
- arrives
- majnun
- divine
- confused
- story
Original Text
Over time, Rumi's poetry matured. He no longer saw himself as a reflection of Shams, but as a beacon of light on his own. In his early fifties, Rumi wrote “Masnavi,” which shifts from ecstatic expressions of divine love to verses that guide others to discover it for themselves. The poems are complex and layered, incorporating ideas, stories, and quotes from Islamic religious texts, Arabic and Persian literature, and earlier Sufi writings and poetry. In one story, he invokes the well-known characters of Layla and the love-crazed Majnun. In Rumi’s version, the king, hearing Majnun’s musings on Layla’s unsurpassed beauty, demands to see her. But when Layla arrives, he’s confused, as her beauty pales in comparison to Majnun's praises. To this, Layla replies, “I am Layla. The problem is you are not Majnun.” For Rumi, experiencing love meant opening his heart to all of God’s creation— looking at everything and everyone like Majnun gazing upon Layla. In this way, he saw romantic love as an expression— on a smaller scale— of divine love.
Frequently Occurring Word Combinations
ngrams of length 2
collocation |
frequency |
divine love |
3 |
Important Words
- arabic
- arrives
- beacon
- beauty
- characters
- comparison
- complex
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- demands
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- persian
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- rumi
- shams
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- sufi
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- wrote