TedTest

From the Ted Talk by Olafur Eliasson: Playing with space and light

Unscramble the Blue Letters

This is the Tate Modern in London. The show was, in a sense, about that. It was about a space in which I put half a semi-circular yellow disk. I also put a mirror in the ceiling, and some fog, some haze. And my idea was to make the space tangible. With such a big space, the problem is obviously that there is a discrepancy between what your body can embrace, and what the space, in that sense, is. So here I had the hope that by isneitrng some nuratal elements, if you want — some fog — I could make the space tangible.

And what happens is that people, they start to see themselves in this space. So look at this. Look at the girl. Of course they have to look through a bloody camera in a museum. Right? That's how museums are working today. But look at her face there, as she's checking out, looking at herself in the mirror. "Oh! That was my foot there!" She wasn't really sure whether she was seeing herself or not. And in that whole idea, how do we configure the rtioesahilnp between our body and the sapce? How do we reconfigure it? How do we know that being in a space makes a difference?

Open Cloze

This is the Tate Modern in London. The show was, in a sense, about that. It was about a space in which I put half a semi-circular yellow disk. I also put a mirror in the ceiling, and some fog, some haze. And my idea was to make the space tangible. With such a big space, the problem is obviously that there is a discrepancy between what your body can embrace, and what the space, in that sense, is. So here I had the hope that by _________ some _______ elements, if you want — some fog — I could make the space tangible.

And what happens is that people, they start to see themselves in this space. So look at this. Look at the girl. Of course they have to look through a bloody camera in a museum. Right? That's how museums are working today. But look at her face there, as she's checking out, looking at herself in the mirror. "Oh! That was my foot there!" She wasn't really sure whether she was seeing herself or not. And in that whole idea, how do we configure the ____________ between our body and the _____? How do we reconfigure it? How do we know that being in a space makes a difference?

Solution

inserting
space
relationship
natural

Original Text

This is the Tate Modern in London. The show was, in a sense, about that. It was about a space in which I put half a semi-circular yellow disk. I also put a mirror in the ceiling, and some fog, some haze. And my idea was to make the space tangible. With such a big space, the problem is obviously that there is a discrepancy between what your body can embrace, and what the space, in that sense, is. So here I had the hope that by inserting some natural elements, if you want — some fog — I could make the space tangible.

And what happens is that people, they start to see themselves in this space. So look at this. Look at the girl. Of course they have to look through a bloody camera in a museum. Right? That's how museums are working today. But look at her face there, as she's checking out, looking at herself in the mirror. "Oh! That was my foot there!" She wasn't really sure whether she was seeing herself or not. And in that whole idea, how do we configure the relationship between our body and the space? How do we reconfigure it? How do we know that being in a space makes a difference?

Frequently Occurring Word Combinations

ngrams of length 2

collocation	frequency
falling water	3
space tangible	2
green dye	2

Important Words

big
bloody
body
camera
ceiling
checking
configure
difference
discrepancy
disk
elements
embrace
face
fog
foot
girl
haze
hope
idea
inserting
london
mirror
modern
museum
museums
natural
people
problem
put
reconfigure
relationship
sense
show
space
start
tangible
tate
today
working
yellow