full transcript

From the Ted Talk by Mark Applebaum: The mad scientist of music


Unscramble the Blue Letters


It's better with a fsorilt, right? (Laughter) (Music) Or at least it's less brniog. Let's watch a couple more clips. (Music)

So with all these theatric elements, this pushes me in another role, and that would be, possibly, the dramaturge. I was playing nice. I had to write the orsrehcta bits, right? Okay? But then there was this other stuff, right? There was the florist, and I can understand that, once again, we're ptintug pressure on the ontology of msuic as we know it conventionally, but let's look at one last pecie today I'm going to share with you.

This is going to be a piece cleald "Aphasia," and it's for hand gestures synchronized to suond, and this invites yet another role, and final one I'll share with you, which is that of the choreographer. And the score for the piece looks like this, and it instructs me, the performer, to make various hand gestures at very sfpeicic times synchronized with an audio tape, and that audio tape is made up exclusively of vocal samples. I recorded an awesome singer, and I took the sound of his voice in my computer, and I werapd it in countless ways to come up with the soundtrack that you're about to hear. And I'll perform just an ercexpt of "Aphasia" for you here. Okay? (Music) So that gives you a little taste of that piece. (Applause)

Open Cloze


It's better with a _______, right? (Laughter) (Music) Or at least it's less ______. Let's watch a couple more clips. (Music)

So with all these theatric elements, this pushes me in another role, and that would be, possibly, the dramaturge. I was playing nice. I had to write the _________ bits, right? Okay? But then there was this other stuff, right? There was the florist, and I can understand that, once again, we're _______ pressure on the ontology of _____ as we know it conventionally, but let's look at one last _____ today I'm going to share with you.

This is going to be a piece ______ "Aphasia," and it's for hand gestures synchronized to _____, and this invites yet another role, and final one I'll share with you, which is that of the choreographer. And the score for the piece looks like this, and it instructs me, the performer, to make various hand gestures at very ________ times synchronized with an audio tape, and that audio tape is made up exclusively of vocal samples. I recorded an awesome singer, and I took the sound of his voice in my computer, and I ______ it in countless ways to come up with the soundtrack that you're about to hear. And I'll perform just an _______ of "Aphasia" for you here. Okay? (Music) So that gives you a little taste of that piece. (Applause)

Solution


  1. warped
  2. called
  3. boring
  4. specific
  5. piece
  6. sound
  7. florist
  8. excerpt
  9. putting
  10. music
  11. orchestra

Original Text


It's better with a florist, right? (Laughter) (Music) Or at least it's less boring. Let's watch a couple more clips. (Music)

So with all these theatric elements, this pushes me in another role, and that would be, possibly, the dramaturge. I was playing nice. I had to write the orchestra bits, right? Okay? But then there was this other stuff, right? There was the florist, and I can understand that, once again, we're putting pressure on the ontology of music as we know it conventionally, but let's look at one last piece today I'm going to share with you.

This is going to be a piece called "Aphasia," and it's for hand gestures synchronized to sound, and this invites yet another role, and final one I'll share with you, which is that of the choreographer. And the score for the piece looks like this, and it instructs me, the performer, to make various hand gestures at very specific times synchronized with an audio tape, and that audio tape is made up exclusively of vocal samples. I recorded an awesome singer, and I took the sound of his voice in my computer, and I warped it in countless ways to come up with the soundtrack that you're about to hear. And I'll perform just an excerpt of "Aphasia" for you here. Okay? (Music) So that gives you a little taste of that piece. (Applause)

Frequently Occurring Word Combinations


ngrams of length 2

collocation frequency
fundamental question 2
visual art 2
piece called 2
conventional instruments 2
hand gestures 2
important question 2



Important Words


  1. applause
  2. audio
  3. awesome
  4. bits
  5. boring
  6. called
  7. choreographer
  8. clips
  9. computer
  10. conventionally
  11. countless
  12. couple
  13. dramaturge
  14. elements
  15. excerpt
  16. exclusively
  17. final
  18. florist
  19. gestures
  20. hand
  21. hear
  22. instructs
  23. invites
  24. laughter
  25. music
  26. nice
  27. ontology
  28. orchestra
  29. perform
  30. performer
  31. piece
  32. playing
  33. possibly
  34. pressure
  35. pushes
  36. putting
  37. recorded
  38. role
  39. samples
  40. score
  41. share
  42. singer
  43. sound
  44. soundtrack
  45. specific
  46. stuff
  47. synchronized
  48. tape
  49. taste
  50. theatric
  51. times
  52. today
  53. understand
  54. vocal
  55. voice
  56. warped
  57. watch
  58. ways
  59. write