full transcript
From the Ted Talk by Stefon Harris: There are no mistakes on the bandstand
Unscramble the Blue Letters
So the idea of a mistake: From the perspective of a jazz musician, it's esiaer to talk about someone else's mistake. So the way I perceive a mistake when I'm on the bandstand — first of all, we don't really see it as a mistake. The only mistake lies in that I'm not able to perceive what it is that someone else did. Every "mistake" is an opirptnutoy in jazz. So it's hard to even describe what a funny note would be.
So for example, if I played a color, like we were playing on a palette, that sounded like this ... (Music) So if Christian played a note — like play an F. (Music) See, these are all right inside of the coolr palette. If you played an E. See, these all lie right inside of this genarel emotional ptltaee that we were painting. If you plyead an F# though, (Dissonance) to most people's ears, they would perceive that as a mistake.
Open Cloze
So the idea of a mistake: From the perspective of a jazz musician, it's ______ to talk about someone else's mistake. So the way I perceive a mistake when I'm on the bandstand — first of all, we don't really see it as a mistake. The only mistake lies in that I'm not able to perceive what it is that someone else did. Every "mistake" is an ___________ in jazz. So it's hard to even describe what a funny note would be.
So for example, if I played a color, like we were playing on a palette, that sounded like this ... (Music) So if Christian played a note — like play an F. (Music) See, these are all right inside of the _____ palette. If you played an E. See, these all lie right inside of this _______ emotional _______ that we were painting. If you ______ an F# though, (Dissonance) to most people's ears, they would perceive that as a mistake.
Solution
- easier
- opportunity
- palette
- general
- played
- color
Original Text
So the idea of a mistake: From the perspective of a jazz musician, it's easier to talk about someone else's mistake. So the way I perceive a mistake when I'm on the bandstand — first of all, we don't really see it as a mistake. The only mistake lies in that I'm not able to perceive what it is that someone else did. Every "mistake" is an opportunity in jazz. So it's hard to even describe what a funny note would be.
So for example, if I played a color, like we were playing on a palette, that sounded like this ... (Music) So if Christian played a note — like play an F. (Music) See, these are all right inside of the color palette. If you played an E. See, these all lie right inside of this general emotional palette that we were painting. If you played an F# though, (Dissonance) to most people's ears, they would perceive that as a mistake.
Frequently Occurring Word Combinations
Important Words
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