full transcript
From the Ted Talk by Amanda Williams: Why I turned Chicago's abandoned homes into art
Unscramble the Blue Letters
(lhtguaer)
This is exactly how I derived my palette. I would ask friends and family and people with backgrounds that were similar to mine for those stories and memories. The stories weren't always happy but the coolrs always resonated more than the pcrduot itself. I took those theories to the street. "Ultra Sheen." "Pink Oil Moisturizer." If you're from Chicago, "Harold's Chicken Shack."
(Laughter)
"Currency Exchange + Safe Passage." "Flamin' Red Hots." "Loose Squares" ... and "Crown Royal Bag."
I painted soon-to-be-demolished homes in a much-maligned area called Englewood. We'd gahetr up as much paint as I could fit in my trunk, I'd call my most trusted art homies, my amzinag husband always by my side, and we'd paint every inch of the exteriors in monochromatic fashion. I wanted to understand salce in a way that I hadn't before. I weatnd to apply the colors to the biggest cnvaas I could imagine ... houses. So I'd obsessively divre up and down familiar streets that I'd grown up on, I'd cross-reference these houses with the city's data portal to make sure that they'd been tagged for demolition — unsalvageable, left for dead. I really wanted to undtneasrd what it meant to just let color rule, to trust my istictnns, to stop asking for permission. No meetings with city oaflcfiis, no community buy-in, just let color rule in my desire to pinat different pictures about the South Side.
Open Cloze
(________)
This is exactly how I derived my palette. I would ask friends and family and people with backgrounds that were similar to mine for those stories and memories. The stories weren't always happy but the ______ always resonated more than the _______ itself. I took those theories to the street. "Ultra Sheen." "Pink Oil Moisturizer." If you're from Chicago, "Harold's Chicken Shack."
(Laughter)
"Currency Exchange + Safe Passage." "Flamin' Red Hots." "Loose Squares" ... and "Crown Royal Bag."
I painted soon-to-be-demolished homes in a much-maligned area called Englewood. We'd ______ up as much paint as I could fit in my trunk, I'd call my most trusted art homies, my _______ husband always by my side, and we'd paint every inch of the exteriors in monochromatic fashion. I wanted to understand _____ in a way that I hadn't before. I ______ to apply the colors to the biggest ______ I could imagine ... houses. So I'd obsessively _____ up and down familiar streets that I'd grown up on, I'd cross-reference these houses with the city's data portal to make sure that they'd been tagged for demolition — unsalvageable, left for dead. I really wanted to __________ what it meant to just let color rule, to trust my _________, to stop asking for permission. No meetings with city _________, no community buy-in, just let color rule in my desire to _____ different pictures about the South Side.
Solution
- scale
- understand
- officials
- gather
- instincts
- laughter
- amazing
- paint
- colors
- canvas
- drive
- wanted
- product
Original Text
(Laughter)
This is exactly how I derived my palette. I would ask friends and family and people with backgrounds that were similar to mine for those stories and memories. The stories weren't always happy but the colors always resonated more than the product itself. I took those theories to the street. "Ultra Sheen." "Pink Oil Moisturizer." If you're from Chicago, "Harold's Chicken Shack."
(Laughter)
"Currency Exchange + Safe Passage." "Flamin' Red Hots." "Loose Squares" ... and "Crown Royal Bag."
I painted soon-to-be-demolished homes in a much-maligned area called Englewood. We'd gather up as much paint as I could fit in my trunk, I'd call my most trusted art homies, my amazing husband always by my side, and we'd paint every inch of the exteriors in monochromatic fashion. I wanted to understand scale in a way that I hadn't before. I wanted to apply the colors to the biggest canvas I could imagine ... houses. So I'd obsessively drive up and down familiar streets that I'd grown up on, I'd cross-reference these houses with the city's data portal to make sure that they'd been tagged for demolition — unsalvageable, left for dead. I really wanted to understand what it meant to just let color rule, to trust my instincts, to stop asking for permission. No meetings with city officials, no community buy-in, just let color rule in my desire to paint different pictures about the South Side.
Frequently Occurring Word Combinations
ngrams of length 2
collocation |
frequency |
color theory |
3 |
color palettes |
3 |
federal housing |
2 |
color palette |
2 |
south side |
2 |
Important Words
- amazing
- apply
- area
- art
- backgrounds
- bag
- biggest
- call
- called
- canvas
- chicago
- chicken
- city
- color
- colors
- community
- data
- dead
- demolition
- derived
- desire
- drive
- englewood
- exchange
- exteriors
- familiar
- family
- fashion
- fit
- friends
- gather
- grown
- happy
- homes
- homies
- hots
- houses
- husband
- imagine
- inch
- instincts
- laughter
- left
- meant
- meetings
- memories
- moisturizer
- monochromatic
- obsessively
- officials
- oil
- paint
- painted
- palette
- passage
- people
- permission
- pictures
- portal
- product
- red
- resonated
- royal
- rule
- safe
- scale
- shack
- sheen
- side
- similar
- south
- stop
- stories
- street
- streets
- tagged
- theories
- trunk
- trust
- trusted
- understand
- unsalvageable
- wanted