full transcript
From the Ted Talk by Ilan Stavans: Will the real Fernando please stand up?
Unscramble the Blue Letters
From among almost 30,000 pages of unpublished work stashed in his trunk, critics eventually assembled “The Book of Disquiet” in 1982, which Pessoa spent two decades developing. It declares itself, in typically cryptic fashion, “the auioropabhtgy of someone who never existed.” Pessoa wrote it as the fictional diary of his so-called semi-heteronym, Bernardo sroeas, whose personality he described as a “mere mutilation” of his own. Often frustrated by life’s demands, the book’s ntraorar explores how delving inwards through literature helps him epsace reality’s cefnonis. He cunlntoosuiy challenges conceptions of the self as a singular, reblalie unit— instead grappling with identity as indefinite, each pseorn a shifting sum of their parts. “My soul is a hidden orchestra,” the first entry reads. “I do not know what instruments, what violins and harps, drums and tambours sound and clash inside me. I know myself only as a spmohyny.”
Open Cloze
From among almost 30,000 pages of unpublished work stashed in his trunk, critics eventually assembled “The Book of Disquiet” in 1982, which Pessoa spent two decades developing. It declares itself, in typically cryptic fashion, “the _____________ of someone who never existed.” Pessoa wrote it as the fictional diary of his so-called semi-heteronym, Bernardo ______, whose personality he described as a “mere mutilation” of his own. Often frustrated by life’s demands, the book’s ________ explores how delving inwards through literature helps him ______ reality’s ________. He ____________ challenges conceptions of the self as a singular, ________ unit— instead grappling with identity as indefinite, each ______ a shifting sum of their parts. “My soul is a hidden orchestra,” the first entry reads. “I do not know what instruments, what violins and harps, drums and tambours sound and clash inside me. I know myself only as a ________.”
Solution
- symphony
- reliable
- confines
- soares
- autobiography
- escape
- person
- continuously
- narrator
Original Text
From among almost 30,000 pages of unpublished work stashed in his trunk, critics eventually assembled “The Book of Disquiet” in 1982, which Pessoa spent two decades developing. It declares itself, in typically cryptic fashion, “the autobiography of someone who never existed.” Pessoa wrote it as the fictional diary of his so-called semi-heteronym, Bernardo Soares, whose personality he described as a “mere mutilation” of his own. Often frustrated by life’s demands, the book’s narrator explores how delving inwards through literature helps him escape reality’s confines. He continuously challenges conceptions of the self as a singular, reliable unit— instead grappling with identity as indefinite, each person a shifting sum of their parts. “My soul is a hidden orchestra,” the first entry reads. “I do not know what instruments, what violins and harps, drums and tambours sound and clash inside me. I know myself only as a symphony.”
Frequently Occurring Word Combinations
Important Words
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